Uberzeichnete characters dominate the theater stage in mainleus
The actors on the stage of the "frankischer hof" saben on saturday evening on packed suitcases and the 170 spectators, including many from the district of lichtenfels, curled with laughter. "When one travels…", this is also the title of the play from the pen of the author regina rosch from lower franconia, then it is known that he has a lot to pay off. When the danndorfer theater group "die brandstifter" ) a cure to bad fussing undertakes, then disoriented fire-brigade people, glasses-less hinterwaldlerinnen and two dressed up bird of paradise provide for cheerfulness at the running strip. On top of that, a lot of shadows are produced, which, except for one, have a short shelf life.
The curtain had just opened, director peter wagner had spoken his introductory words, when five young florians staggered through the auditorium to the danndorf bus stop, scrambling and no longer in control of their own senses. Ringlet curls peeked out from under the helmet, glasses were worn to laugh crookedly, and linguistic misunderstandings of the funny kind poured down on the audience like a waterfall. Overdrawn characters – entirely to the taste of the audience – ruled the theater stage until midnight. "Surprise: you are going to bad fussing for a cure!", it echoed through the hall. The firemen oswald krause, played by herbert laschinsky, and emil lautenschlager (michael schmidt, who comes from altenkunstadt), did a dance of joy.
Oh noooo: the wives travel with them
Too early to rejoice: the goofy wives, made fun of by uschi kausich and silvia wagner, also came along for the cure. What happened in the health resort was more like a nightmare than a rest cure. It was only restful for the audience, who laughed like mad. On the stage, the name of hairstylist detlef kept making the rounds, but no one got to see it.
She, too, was not to be seen during the play: margit drechsler from burghaig, assisted by her daughter kira, was one of the heinzelmannchen who kept the theater store running behind the stage. In a play that lives from double roles and transformations, the mask is the be-all and end-all. "As a trained cosmetician, i have to put on makeup for my customers that is suitable for everyday use, but as a makeup artist in the theater, i can let my imagination run wild: i don’t have to be frugal, i can use the color palette to my heart’s content, and i can be rough with glitter.", drechsler gave an insight into her work. Where things have to happen quickly. Backstage makeup is a matter of minutes for drechsler. "While the men put on their jewelry and another person paints their fingernails, i take care of their faces." Wanting to turn men into travesty artists in the style of olivia jones is the "royal discipline that challenges her creatively" for the cosmetician from burghaig.
To each his challenge
For the actors, breathing life into such a role is a challenge. Laschinsky and schmidt mastered it brilliantly. In high heels, clunkers, colorful wigwams, flashy glasses and make-up to the hilt, the two strutted through the spa clinic. The glamour of their hilarious transformation was the bleeping denglish that the
bird of paradise at its best.
At the end there was a happy ending between the wives and husbands. The marriage swindlers, played brilliantly by hans kausich and roland schuberth, and the two fine ladies on the manhunt (simone grieb and carmen scharner) were the losers. Then, in a complete surprise, there was a spa shadow who left the audience with a piece of advice: "in a spa love, the utmost discretion is important"."
Other performances:
Who is behind the cure shadow, all theater friends will find out at the following performances, for which there are still remaining tickets at the box office: saturday, 5., sunday, 6., friday, 11., and saturday, 12. May. With the exception of the sunday performance, which starts at 4 p.M., the curtains open in the hall of the "frankischer hof" at 7 p.M.30 o’clock.